Copying a Master without Losing Your Own Eye
How to copy a painting as a way of studying decisions, and how to keep that copy from becoming a substitute for looking.
How to copy a painting as a way of studying decisions, and how to keep that copy from becoming a substitute for looking.
How a row of tiny thumbnail sketches lets you test composition and value before a larger painting begins.
How to keep a small outdoor sketchbook of colour notes, so changing light is recorded before a finished picture.
A practical print checklist for a small design: trim, bleed, image size, colour shift, embedded type and a paper proof.
Five ordinary poster habits that muddy a message, from too many fonts and starved margins to a leader no one can find.
How to crop a picture so the subject leads, the edges look deliberate, and leftover space is a choice rather than a habit.
How a repeating motif finds a rhythm, and how grids, half-drops and even gaps keep a pattern from showing its seams.
How to draw simple icons that stay recognisable when small, with even strokes, clear gaps and a real-size test.
How to choose a lead element and make it large enough that the rest of the page or picture can stay quiet.
How size, weight and texture create contrast when colour alone cannot separate the parts of a design.
Why generous margins and unused space make a small page clearer, and how trapped gaps undo the effect.
How to set a simple column grid, align type and images to it, and stop a one-page layout drifting.